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The Swastika


Dispersion of the Swastika


Page 66

apparent. Fig. 221 represents a pottery bottle with another specimen of Swastika belonging to the same (Gallo-Roman) epoch, but coming from the extreme north of Gaul, the neighborhood of Rouen. It is to be remarked that the ends of this fig. 221Swastika give the outward curve or flourish similar to that noticed by Dr. Schliemann on the spindle-whorl of Troy, and is yet employed in making the Jain Swastika (fig. 33).
      M. Alexander Bertrand (1) speaks of the discovery at Valaux, in the department of Bouches-du-Rhóne, of the headless statue of a crouching or squatting guard which has a row of Swastikas across his breast, while beneath is a range of crosses, Greek or Latin. The newest examples of the Swastika belonging to this epoch have been found at Estinnes, Hainaut, and at Anthée, Namur, Belgium, on pieces of Roman tile; also on a tombstone in the Roman or Belgo-Roman cemetery of Juslensville near Peponster. (2) This is a Pagan tomb, as evidenced by the inscriptions commenced "D. M." (Diis Manibus). (3)

Anglo-Saxon Period.

      Britain. --- Greg reports (4) a silver disk 1 1/2 inches in diameter, with a triskelion made by punched dots, in the same style as the pin heads from Armenia (figs. 35 and 36). This was from grave 95 in an Anglo-Saxon cemetery at Sleafors, England, excavated by George W. Thomas and sold at Boston; bought by A. W. Franks and given to the British Museum. Grave 143 had a large cruciform fibula of bronze, partly gilt, similar to those from Scandinavia, with a Swastika on the central ornament thus fig. q. The slight curve or flourish on the outer end of the bent arm of this specimen resembles the Jain Swastika (fig. 33), though this bends to the left, while the Jain Swastikas bend to the right. Fig. 222 shows an Anglo-Saxon bronze gilt fibula with a peculiar form of Swastika leaving a square with dot fig. 222and circle in its center. It was found in Long Wittenham, Berkshire, was reported in Archæologia, (5) and is figured by Waring. (6) A figure having great similarity to this, even in its peculiarities and called a Swastika, was found on a shell in Toco Mound, Tennessee (fig. 238). Fig. 223 represents an Anglo-Saxon urn from Shropham, Norfolk. Its decorations consist of isolated figured like crosses, etc., arranged in horizontal bands around the vessel, and separated by moldings. The lower row consists of Swastikas of small size stamped into the clay and arranged in isolated squares. There are twenty Swastikas in the band; though they all turn to the right, they are not repetitions. They were made by hand and not with the stamp. They are white on a blackish ground. The original, which is in the British Museum, is cited by Kemble and figured by Waring. (7)

The Swastika on Ancient Coins.

      There has been much ink and imagination used, most of which has been wasted, in the discussion of this branch of this subject. The opinion has been fig. 223expressed by many persons that the triskelion which formed the armorial emblem of the island of Sicily, and also on the Isle of Man, is but an evolution from or modification of the Swastika. In the judgment of the author this is based rather upon the similarity of the designs than upon any likeness in their origin and history. The acceptance by modern writers of this theory as a fact is only justified from its long continued repetition.
      Triskelion, Lycia. --- The triskelion on ancient coins first appears on the coins of Lycia, in Asia Minor, about B. C. 480. It was adopted for Sicily by Agathocles, B. C. 317 and 307. The coins of Lycia were first three cocks' heads and necks joined together equidistant in the center of the field, as shown in fig. 224, while figs. 225 and 226 bear a center dot and circle. This forms a hub and axle. Out of this hub spring three arms or rays, practically equidistant, the outer ends being bent to the left. They increase in size as they progress


ENDNOTES:
1. L'Autel de Saintes et les triades gauloises," Revue Archæol., 1880, XXXIX, p. 343. [Back]

2. Institut Archæologique Liégeois, X, 1870, p. 106, pl. 13. Back

3. "La Migration des Symboles,: p. 47, fig. 13. Back

4. Archæologia, I., pt. 2, p. 406, pl. 23, fig. 7. Back

5. Archæologia, XXXI. Back

6. "Ceramic Art in Remote Ages," pl. 43, fig. 10. Back

7. Ibid., pl. 3, fig. 50. Back



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