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Our Fathers' Godsaga : Retold for the Young.
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Ophiolatreia


Chapter 2


Page 2

        And a further examination of the forms of the cromlechs and tumuli and menhirs will suggest that the tumuli themselves were intended to indicate the symbols of the Mahádeo and Yoni, conceived in no obscene sense, but as representing regeneration, the new life, "life out of death, life everlasting," which those buried in the tumuli, facing towards the sun in its meridian, were expected to enjoy in the hereafter. Professor Stephens, the well-known Scandinavian Antiquary, writing to me recently, speaks of the symbols as follows:---"The pieces (papers) you were so good as to send me were very valuable and welcome. There can be no doubt that it is to India we have to look for the solution of many of our difficult archæological questions."
        "But especially interesting is your paper on the Ancient Rock-Sculpturings. I believe that you are quite right in your views. Nay, I go further. I think that the northern Bulb-stones are explained by the same combination. I therefore send you the Swedish Archæological Journal for 1876, containing Baron Herculius' excellent dissertation on these objects…..You can examine the many excellent woodcuts. I look upon these things as late conventionalized abridgments of the Linga and Yoni, life out of death, life everlasting---thus a fitting ornament for the graves of the departed."
        The author further says:---"Many who indignantly repudiate the idea of the prevalence of Phallic Worship among our remote ancestors hold that these symbols represent the snake or the sun. But admitting this, may not the snake, after all, have been but a symbol of the phallus? And the sun, the invigorating power of nature, has ever, I believe, been considered to represent the same idea, not necessarily obscene, but the great mystery of nature, the life transmitted from generation to generation, or, as Professor Stephans puts it, 'life out of death, life everlasting.'" The same idea, in fact, which, apart from any obscene conception, causes the rude Mahádeo and Yoni to be worshipped daily by hundreds of thousands of Hindus.
        Brown, in his "Great Dionysiak Myth," says:---"The Serpent has six principal points of connection with Dionysos: 1---As a symbol of, and connected with, wisdom. 2---As a solar emblem. 3---As a symbol of time and eternity. 4---As an emblem of the earth, life. 5---As connected with fertilizing moisture. 6---As a phallic emblem."
        Referring to the last of these, he proceeds---"The serpent being connected with the sun, the earth life and fertility must needs be also a phallic emblem, and so appropriate to the cult of Dionysos Priapos. Mr. Cox after a review of the subject, observes, 'Finally, the symbol of the Phallus suggested the form of the serpent, which thus became the emblem of life and healing. There then we have the key to that tree and serpent worship which has given rise to much ingenious speculation.' The myth of the serpent and the tree is not, I apprehend, exhausted by any merely phallic explanation, but the phallic element is certainly one of the most prominent features in it, as it might be thought any inspection of the carvings connected with the Topes of Sanchi and Amravati would show. It is hard to believe, with Mr. Fergusson, that the usefulness and beauty of trees gained them the payment of divine honours. Again, the Asherah or Grove-cult (Exod. 34, 13; I Kings 17, 16; Jer. 17, 2; Micah 5, 14) was essentially Phallic, Asherah being the Upright. It seems also to have been in some degree connected with that famous relic, the brazen serpent of Nehushtan (2 Kings 18, 4). Donaldson considers that the Serpent is the emblem of desire. It has also been suggested that the creature symbolised sensation generally."
        The Sir G. W. Cox referred to above, in his "Mythology of Argai Nations," says:---"If there is one point more certain than another it is that wherever tree and serpent worship has been found, the cultus of the Phallos and the Ship, of the Linga and Yoni, in connection with the worship of the sun, has been found also. It is impossible to dispute the fact, and no explanation can be accepted for one part of the cultus which fails to explain the other. It is unnecessary, therefore, to analyze theories which profess to see in it the worship of the creeping brute or the wide-spreading tree. A religion based on the worship of the venomous reptile must have been a religion of terror; in the earliest glimpses which we have of it, the serpent is a symbol of life and of love. Nor is the Phallic cultus in any respect a cultus of the full-grown and branching tree. In its earliest form the symbol is everywhere a mere stauros, or pole; and although this stock or rod budded in the shape of the thyrsus and the shepherd's staff, yet, even in its latest developments, the worship is confined to small bushes and shrubs and diminutive plants of a particular kind. Nor is it possible again to dispute the fact that every nation, at some stage or other of its history, has attached to this cultus precisely that meaning which the Brahman now attaches to the Linga and the Yoni. That the Jews clung to it in this special sense with vehement tenacity is the bitter compaint of the prophets; and the crucified serpent adored for its healing powers stood untouched in the Temple until it was removed and destroyed by Hezekiah. This worship of serpents, "void of reason," condemned in the Wisdom of Solomon, probably survived even the Babylonish captivity. Certainly it was adopted by the Christians who were known as Ophites, Gnostics, and Nicolaitans. In Athenian mythology the serpent and the tree are singularly prominent. Kekrops, Erechtheus, and Erichthonios, are each and all serpentine in the lower portion of their bodies. The sacred snake of Athênê had its abode in the Akropolis, and her olive trees secured for her the victory in her rivalry with Poseidôn. The health-giving serpent lay at the feet of Asklêpios and snakes were fed in his temple at Epidauros and elsewhere. That the ideas of mere terror and death suggested by the venomous or the crushing reptile could never have given way thus completely before those of life, healing, and safety, is obvious enough; and the latter ideas alone are associated with the serpent as the object of adoration. The deadly beast always was, and has always remained, the object of horror and loathing which is expressed for Ahi, the choking and throttling snake, the Vritra whom Indra smites with his unerring lance, the dreadful Azidahaka of the Avesta, the Zohak or Biter of modern Persian mythology, the serpents whom Heraktes strangles in his cradle, the Python, or Fafnir, or Grendel, or Sphinx whom Phoibos, or Sigurd, or Beowulf, or Oidipous smite and slay. That the worship of the Serpent has nothing to do with these evil beasts is abundantly clear from all the Phallic monuments of the East or West. In the topes of Sanchi and Amravati the disks which represent the Yoni predominate in every part of the design; the emblem is worn with unmistakeable distinctness by every female figure, carved within these disks, while above the multitude are seen, on many of the disks, a group of women with their hands resting on the linga, which they uphold. It may, indeed, be possible to trace out the association which connects the Linga with the bull in Sivaison, as denoting more particularly the male power, while the serpent in Jainaison and Vishnavism is found with the female emblem, the Yoni. So again in Egypt, some may discern in the bull Apis or Mnevis the predominance of the male idea in that country, while in Assyria or Palestine the Serpent or Agathos Daimon is connected with the altar of Baal.



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