Nibelungenlied
Introductory Sketch
The Skandinavian version of the Siegfried legend has been handed down to us in five different forms. The first of these is the poetic or older "Edda", also called Saemund's "Edda", as it was assigned to the celebrated Icelandic scholar Saemundr Sigfusson. The "Codex Regius", in which it is preserved, dates from the middle of the thirteenth century, but is probably a copy of an older manuscript. The songs it contains were written at various times, the oldest probably in the first half of the ninth century, the latest not much before the date of the earliest manuscript. Most of them, however, belong to the Viking period, when Christianity was already beginning to influence the Norwegians, that is, between the years 800 and 1000. They are partly heroic, partly mythological in character, and are written in alliterative strophes interspersed with prose, and have the form of dialogues. Though the legends on which these songs are based were brought from Norway, most of them were probably composed in Iceland. Among these songs, now, we find a number which deal with the adventures of Siegfried and his tragic end.
The second source of the Siegfried story is the so-called "Volsungasaga", a prose paraphrase of the "Edda" songs. The MS. dates from the beginning of the thirteenth century, but the account was probably written a century earlier. The adventures of Siegfried and his ancestors are here related in great detail and his ancestry traced back to Wodan. Although a secondary source, as it is based on the "Edda", the "Volsungasaga" is nevertheless of great importance, since it supplies a portion of the "Codex Regius" which has been lost, and thus furnishes us with the contents of the missing songs.
The third source is the prose "Edda", sometimes called the "Snorra Edda", after the famous Icelander Snorri Sturluson (1178-1241),to whom it was ascribed. The author was acquainted with both the poetic "Edda" and the "Volsungasaga", and follows these accounts closely. The younger "Edda" is not really a tale, but a book of poetics; it relates, however, the Siegfried saga briefly. It is considered an original source, since it evidently made use of songs that have not come down to us, especially in the account of the origin of the treasure, which is here told more in detail and with considerable differences. The "Nornagestsaga" or "Nornageststhattr", the story of "Nornagest", forms the fourth source of the Siegfried story. It is really a part of the Olaf saga, but contains the story of Sigurd and Gunnar (the Norse forms of Siegfried and Gunther), which an old man Nornagest relates to King Olaf Tryggvason, who converted the Norwegians to Christianity. The story was written about 1250 to illustrate the transition from heathendom to the Christian faith. It is based on the "Edda" and the "Volsungasaga", and is therefore of minor importance as a source.
These four sources represent the early introduction of the Siegfried legend into Skandinavia. A second introduction took place about the middle of the thirteenth century, at the time of the flourishing of the Hanseatic League, when the story was introduced together with other popular German epics. These poems are products of the age of chivalry, and are characterized by the romantic and courtly features of this movement. The one which concerns us here, as the fifth source of the Siegfried story, is the so-called "Thidreksaga", which celebrates the adventures of the famous legendary hero, Dietrich of Berne, the historical Theodorich of Ravenna. In as far as it contains the adventures of the Nibelungs, it is also called the "Niflungasaga". The "Thidreksaga" was written about 1250 by a Norwegian who, as he himself tells us, heard the story from Germans in the neighborhood of Bremen and Munster. Since it is thus based on Saxon traditions, it can be considered an independent source of the legend, and, in fact, differs from the earlier Norse versions in many important details. The author was acquainted, however, with the older versions, and sought to compromise between them, but mostly followed his German authorities.
The story, as given in the older Norse versions, is in most respects more original than in the "Nibelungenlied". It relates the history of the treasure of the Nibelungs, tracing it back to a giant by the name of "Hreithmar", who received it from the god "Loki" as a compensation for the killing of the former's son "Otur", whom Loki had slain in the form of an otter. Loki obtained the ransom from a dwarf named "Andwari", who in turn had stolen it from the river gods of the Rhine. Andwari pronounces a terrible curse upon the treasure and its possessors, and this curse passes from Loki to the Giant Hreithmar, who is murdered when asleep by his two sons "Fafnir" and "Regin". The latter, however, is cheated out of the coveted prize by Fafnir, who carries it away to the "Gnita" heath, where he guards it in the form of a dragon.
This treasure, with its accompanying curse, next passes into the hands of a human being named Sigurd (the Norse form of Siegfried, as we have seen), a descendant of the race of the Volsungs, who trace their history back to Wodan and are especially favored by him. The full story of Siegfried's ancestry is far too long to relate here, and does not especially concern us, as it has little or no influence on the later development of the story. It is sufficient for our purpose to know that Siegfried was the son of Siegmund, who was slain in battle before the birth of his son. Sigurd was carefully reared by his mother "Hjordis" and the wise dwarf Regin, who taught him the knowledge of runes and of many languages. (2) At the suggestion of Regin, Sigurd asks for and receives the steed "Grani" from the king, and is then urged by his tutor to help him obtain the treasure guarded by the latter's brother Fafnir. Sigurd promises, but first demands a sword. Two, that arc given him by Regin, prove worthless, and he forges a new one from the pieces of his father's sword, which his mother had preserved. With this he easily splits the anvil and cuts in two a flake of wool, floating down the Rhine. He first avenges the death of his father, and then sets off with Regin to attack the dragon Fafnir. At the advice of the former Sigurd digs a ditch across the dragon's peth and pierces him from below with his sword, as the latter comes down to drink. In dying the dragon warns Sigurd against the treasure and its curse, and against Regin, who, he says, is planning Sigurd's death, intending to obtain the treasure for himself.
When Regin sees the dragon safely dead, he creeps from his place of concealment, drinks of the blood, and, cutting out the heart, begs Sigurd to roast it for him. While doing so, Sigurd burns his fingers, and, putting them in his mouth, understands at once the language of the birds and hears them say that Sigurd himself should eat the heart and then he would be wiser than all other men. They also betray Regin's evil designs, and counsel the lad to kill his tutor. This Sigurd then does, cutting off Regin's head, drinking the blood of both brothers, and eating Fafnir's heart. (3) On the further advice of the birds Sigurd first fetches the treasure from the cave, and then journeys to the mountain "Hindarfjall", where he rescues the sleeping Valkyrie, "Sigrdrifu" ("Brynhild", "Brunhild"), who, stung by the sleep thorn of Wodan, and clad in full armor, lies asleep within a castle that is surrounded by a wall of flame. With the help of his steed Grani, Sigurd succeeds in penetrating through the fire to the castle. The sleeping maiden awakes when he cuts the armor from her with his sword, for it was as tight as if grown fast to the flesh. She hails her deliverer with great joy, for she had vowed never to marry a man who knew fear. At Sigurd's request she teaches him many wise precepts, and finally pledges her troth to him. He then departs, after promising to be faithful to her and to remember her teachings.
On his journeyings Sigurd soon arrives at the court of "Giuki" (the Norse form of the German "Gibicho", "Gibich"), a king whose court lay on the lower Rhine. Giuki has three sons, "Gunnar", "Hogni", and "Guthorm", and a daughter "Gudrun", endowed with great beauty. The queen bears the name of Grimhild, and is versed in magic, but possessed of an evil heart. (4) Sigurd is received with great honor, for his coming had been announced to Gudrun in dreams, which had in part been interpreted to her by Brynhild. The mother, knowing of Sigurd's relations to the latter, gives him a potion which produces forgetfulness, so that he no longer remembers his betrothed, and accepts the hand of Gudrun, which the king offers him at the queen's request. The marriage is celebrated with great pomp, and Sigurd remains permanently attached to Giuki's court, performing with the others many deeds of valor.
Meanwhile Grimhild urges her son Gunnar to sue for the hand of Brynhild. Taking with him Sigurd and a few others, Gunnar visits first Brynhild's father "Budli", and then her brother-in-law "Heimir", from both of whom he learns that she is free to choose whom she will, but that she will marry no one who has not ridden through the wall of flame. With this answer they proceed to Brynhild's castle, where Gunnar is unable to pierce the flames, even when seated on Sigurd's steed. Finally Sigurd and Gunnar change forms, and Sigurd, disguised as Gunnar, rides through the wall of fire, announces himself to Brynhild as Gunnar, the son of Giuki, and reminds her of her promise to marry the one who penetrated the fire. Brynhild consents with great reluctance, for she is busy carrying on a war with a neighboring king. Sigurd then passes three nights at her side, placing, however, his sword Gram between them, as a bar of separation. At parting he draws from her finger the ring, with which he had originally pledged his troth to her, and replaces it with another, taken from Fafnir's hoard. Soon after this the marriage of Gunnar and Brynhild is celebrated with great splendor, and all return to Giuki's court, where they live happily for some time.
One day, however, when the ladies go down to the river to take a bath, Brynhild will not bathe further down stream than Gudrun, that is, in the water which flows from Gudrun to her, (5) giving as the reason, that her father was mightier and her husband braver, since he had ridden through the fire, while Sigurd had been a menial. Stung at this, Gudrun retorts that not Gunnar but Sigurd had penetrated the flames and had taken from her the fateful ring "Andvaranaut", which she then shows to her rival in proof of her assertion. Brynhild turns deathly pale, but answers not a word. After a second conversation on the subject had increased the hatred of the queens, Brynhild plans vengeance. Pretending to be ill, she takes to her bed, and when Gunnar inquires what ails her, she asks him if he remembers the circumstances of the wooing and that not he but Sigurd had penetrated the flames. She attempts to take Gunnar's life, as she had pledged her troth to Sigurd, and is thereupon placed in chains by Hogni. Seven days she sleeps, and no one dares to wake her. Finally Sigurd succeeds in making her talk, and she tells him how cruelly she has been deceived, that the better man had been destined for her, but that she had received the poorer one. This Sigurd denies, for Giuki's son had killed the king of the Danes and also Budli's brother, a great warrior. Moreover, although he, Sigurd, had ridden through the flames, he had not become her husband. He begs her therefore not to harbor a grudge against Gunnar.
Brynhild remains unconvinced, and plans Sigurd's death, and threatens Gunnar with the loss of dominion and life, if he will not kill Sigurd. After some hesitation, Gunnar consents, and, calling Hogni, informs him that he must kill Sigurd, in order to obtain the treasure of the Rhinegold. Hogni warns him against breaking his oath to Sigurd, when it occurs to Gunnar, that his brother Gutthorm had sworn no oath and might do the deed. Both now proceed to excite the latter's greed, and give him wolf's and snake meat to eat to make him savage. Twice Gutthorm makes the attempt, as Sigurd lies in bed, but is deterred by the latter's penetrating glance. The third time he finds Sigurd asleep, and pierces him with his sword. Sigurd, awakening at the pain, hurls his own sword after his murderer, fairly cutting him in two. He then dies, protesting his innocence and designating Brynhild as the instigator of his murder. Brynhild at first laughs aloud at Gudrun's frantic grief, but later her joy turns into sorrow, and she determines to share Sigurd's death. In vain they try to dissuade her; donning her gold corselet, she pierces herself with a sword and begs to be burned on Sigurd's funeral pyre. In dying she prophesies the future, telling of Gudrun's marriage to "Atli" and of the death of the many men which will be caused thereby.
(2) The "Thidreksaga" differs from the other Norse versions in having "Sigfrod", as he is called here, brought up in ignorance of his parents, a trait which was probably borrowed from the widespread "Genoveva" story, although thought by some to have been an original feature of our legend. [Back]
(3) The "Thidreksaga", which has forgotten the enmity of the brothers, and calls Sigurd's tutor "Mimr", tells the episode in somewhat different fashion. The brothers plan to kill Sigurd, and the latter is attacked by the dragon, while burning charcoal in the forest. After killing the monster with a firebrand, Sigurd bathes himself in the blood and thus become covered with a horny skin, which renders him invulnerable, save in one place between the shoulder blades, which he could not reach. This bathing in the blood is also related in the Seyfrid ballad and in the "Nibelungenlied", with the difference, that the vulnerable spot is caused by a linden leaf falling upon him. [Back]
(4) The fact that all but one of these names alliterate, shows that the Norse version is here more original. Gunnar is the same as Gunther (Gundaharius), Hogni as Hagen; Gutthorm (Godomar) appears in the German version as Gernot. In this latter the father is called Danerat, the mother Uote, and the name Grimhild is transferred from the mother to the daughter. [Back]
(5) In the prose "Edda", in the water which drips from Gudrun's hair. [Back]
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